Nathalie Arnold

Associate Professor of Anthropology, Literary Arts and African Studies
Nathalie Arnold headshot
Contact Nathalie

Mail Code CSI
Nathalie Arnold
Franklin Patterson Hall 226
413.559.5308

Nathalie Arnold (Koenings) is a transdisciplinary scholar whose work at the intersection of African, Indian Ocean and Islamic Studies spans critical anthropology, multispecies ethnography, literature, writing and translation studies.

In anthropology, Nathalie has focused primarily on Swahili Muslim communities of the Western Indian Ocean, publishing work about the politics of space and song, collective memory, poetry, material culture, foodways, and imaginal worlds in Pemba, Zanzibar. Her forthcoming book, Mystical Power and Politics on the Swahili Coast: Uchawi in Pemba (Boydell and Brewer/James Currey, 2024), traces changes in the mystical geographies of Pemba through the greatest transformations of the twentieth and twenty-first centuries, including the Zanzibar Revolution, the adoption of multiparty democracy, Islamic revival and reform, and the rise of neoliberal capital. Long interested in social geography and the phenomenology of space, she has in recent years turned her attention to multispecies relations, in 2023 initiating a new research project exploring these in Islamic contexts on the Swahili Coast. The first stage of this research focuses on pigeons, who, in Zanzibar, participate in the creation of Islamic temporalities, engage in prayer, and through their behavior provoke polyphonous human meditations on the nature of love, gender, mobility, and freedom.

Having spoken French and Swahili all her life, Nathalie is also an active literary translator working from and into Swahili as well as from French into English. Her translations include Tamasha, a novella by Omani-Zanzibari writer Naila Barwani (Dira, 2022), and shorter works of fiction and poetry by Mohammed Said Abdalla, Mohammed Ghassani, Adam Shafi, and Nassor Hilal Kharusi. Her work has appeared in internationally recognized journals such as Asymptote, Five Points, Words without Borders, and The New Orleans Review.

Publishing fiction as N.S. Koenings, Nathalie is focused on global peripheries where diverse multilingual characters search for safety and comfort in contexts shaped by Empire. Her first novel, The Blue Taxi, and her short story collection, Theft, were published by Little Brown and Company in 2006 and 2009. Her short stories have appeared in Story Quarterly, Glimmer Train, The Sangam House Reader and The Enkare Review.

Across all her teaching, Nathalie is always both a multicultural thinker and a writer. All her courses, whether in writing, literature, or anthropology, center writing as a mode of reflection and a method of discovery. Having first encountered English in the classroom, and trilingual herself, she is acutely aware of challenges faced by students for whom English is a second or third language, as well as by students whose home cultures are not reflected in the dominant culture of educational institutions.

Recent and Upcoming Courses

  • The peoples, philosophies, arts, and cultural resources of Africa have made and continue to make fundamental contributions to every society on earth - particularly to visionings of humanity, justice, liberation, and community. Yet, from the imperial United States, Africa is often the least considered continent, its diverse peoples and realities obscured by racist stereotypes rooted in the long and ongoing history of European colonialisms and empire. This introduction to African narratives, focused on key historical, modern and contemporary African texts of different genres, unfolds in three parts. Through early epic poems, we encounter precolonial African kingdoms; next, we engage anti-colonial texts and confront European imperialism in Africa; we end the semester by engaging contemporary fictions and philosophy. Works we may consider include: Sundiata and Mwindo, Fanon, Cesaire, Diop, Kenyatta, p'Bitek, Lumumba, wa Thion'go, Achebe, Ba, Biko, el Sadawi, Rugero,Tadjo and Sarr. Keywords:Africa, Africana, colonialism, decolonization, literature, film The content of this course deals with issues of race and power.

  • Across the world, humans have viewed animals as: ancestors, teachers, friends, members of the family, meat, workers, pests, and threats. Everywhere, the 'human' is defined in relation to the 'animal.' Yet this relation is construed in diverse and contradictory ways. Ideas about what it means to 'be (an) animal' have long structured visions of belonging and otherness, as well as violence, racism, and oppression. As animals vanish or recede from human settlements, their images proliferate around us. Drawing on cultural, legal, and gender studies, multispecies ethnography, literature, and history, this seminar looks at varied human relationships to animals, animals' diverse roles in society, history, and the arts, and how ideas about 'animals' shape our sense of 'being human.' While we will write and research regularly, major assignments include: a personal essay, an annotated bibliography and an independent project in a form of students' choice. Keywords:animals, animal studies, anthropology, transpecies, multispecies

  • Daily Life in Palestine: a HALF COURSE engaging essays, history, ethnography and film: This experimental half-course will focus on accounts of community life in Gaza and the West Bank, engaging work about specific communities and individuals at specific moments in time with an alertness to materiality, memory, affect, and the politics of representation. We will also reflect together on the effects of different kinds of narratives. In addition to regular in-class writing, students will work with a partner to lead one segment of class discussion, presenting their findings on a specific topic of their choice. The class will also collaboratively generate a wide-ranging bibliography of sources from and about Palestinian worlds. The course meets for an extended session once a week for the first 8 weeks of the semester. Keywords:Middle East, Palestine, anthropology, ethnography, film. Keywords:Middle East, Palestine, anthropology, ethnography, film The content of this course deals with issues of race and power

  • While the climate crisis presents urgent scientific challenges, climate issues are also deeply political, economic, cultural, and epistemological. While news outlets routinely cover climate events in Europe and the USA, far less is said about the colonial histories and entrenched inequalities that put communities of colour at far greater risk of climate-related devastation. Despite producing a minute fraction of the world's carbon emissions, historically marginalized communities consistently suffer the worst effects of planetary warming. Grounded in contemporary anthropology, this course asks: How do marginalized communities across the world respond to climate inequalities? What alternative visions and modes of co-existence might diverse meteorologies and ways of constructing 'nature' suggest? How does 'climate denial' emerge, and what does climate justice look like? We will consider sources from: Botswana, Namibia, Uganda, Zanzibar, the Amazon, Palestine, India, Bangladesh, Norway, and Puerto Rico. This course counts toward the Five College African Studies Certificate KEYWORDS:Climate, ethnography, Africana, Africa, Global South

  • The ancient Swahili city-states of the East African coast have played a crucial role in world history, especially across the African continent, the Indian Ocean, and Europe. The Swahili coast has been a key site of exchange and mixing between African, Islamic, and Indian Ocean knowledges, practices, and languages. Today, Swahili fashions, cuisines, and literatures, together with the Swahili language, play crucial roles in social and imaginative life in East Africa and beyond. Swahili is spoken by 82 million people across the world. In African-American communities, Swahili - the language of Kwanzaa - has played a key role in spiritual practices. Today, translations of literary works from Swahili into English increasingly bring Swahili narratives into direct conversation with English-language readerships. Through an exploration of ethnography, life history, Swahili literature and film, this course introduces students to diverse 'Swahili worlds,' from East Africa to Oman, Europe and the United States. KEYWORDS:Africana, Africa, Swahili, literature, film

  • The peoples, philosophies, arts, and cultural resources of Africa have made and continue to make fundamental contributions to every society on earth - particularly to visionings of humanity, justice, liberation, and community. Yet, from the imperial United States, Africa is often the least considered continent, its diverse peoples and realities obscured by racist stereotypes rooted in the long and ongoing history of European colonialisms and empire. This introduction to African narratives, focused on key historical, modern and contemporary African texts of different genres, unfolds in three parts. Through early epic poems, we encounter precolonial African kingdoms; next, we engage anti-colonial texts and confront European imperialism in Africa; we end the semester by engaging contemporary fictions and philosophy. Works we may consider include: Sundiata and Mwindo, Fanon, Cesaire, Diop, Kenyatta, p'Bitek, Lumumba, wa Thion'go, Achebe, Ba, Biko, el Sadawi, Rugero,Tadjo and Sarr. Keywords:Africa, African literature, politics, colonialism, decolonisation

  • Across the world, humans have viewed animals as: ancestors, teachers, friends, members of the family, meat, workers, pests, and threats. Everywhere, the 'human' is defined in relation to the 'animal.' Yet this relation is construed in diverse and contradictory ways. Ideas about what it means to 'be (an) animal' have long structured visions of belonging and otherness, as well as violence, racism, and oppression. As animals vanish or recede from human settlements, their images proliferate around us. Drawing on cultural, legal, and gender studies, multispecies ethnography, literature, and history, this seminar looks at varied human relationships to animals, animals' diverse roles in society, history, and the arts, and how ideas about 'animals' shape our sense of 'being human.' While we will write and research regularly, major assignments include: a personal essay, a report on a site observation, and an independent project in a form of students' choice. Keywords: animals, animal studies, multispecies, posthumanism, anthropology.

  • While climate change affects all life on the planet, historically vulnerable and marginalized communities across the world are consistently at the greatest risk of devastation. As calls for climate justice multiply, the urgency of writing, speaking, and creating wisely about climate is clear. Grounded in ethnography about diverse communities' experiences and responses to climate change while drawing on film, literature, and the visual arts, this course asks: How do marginalized communities across the world respond to climate inequalities? What is the relationship between capitalism and the climate? How does thinking the Anthropocene, Capitalocene, or the posthuman affect our views of planetary issues? How does 'climate denial' emerge, and what do 'climate justice' and resilience look like? While we will regularly practice writing and research, major assignments include: a family or community weather history and an independent project in a form of students' choice.