SPRING 2013
DIVISION III GALLERY SCHEDULE
MAIN GALLERY, JOHNSON LIBRARY CENTER


March 29-April 2: Schuyler Schuler and Lily Colman

April 3-6: Vincenzo Alexander and Audrey Vandecastle
 

April 7-9: Maiwenn Raoult and Danielle Spears

April 10-12: Quinn Berkman and Sam Rosenblum

April 13-15: Molly Hearn and Melissa Beckman

April 16-18: Daneen Willerson, Lily Erb, and Lydia Trottmann

April 19-21: Anastasia Galfund and Elizabeth Braff

April 22-24: Robin Walker and Sam Hollier

April 25-27: Giuliana Orskey and Brian Nolte

April 28-30: Augusta Sitney and Esther Dane

May 1-3: Kaitlin McNeil, Hazel Wood, and Duncan Sullivan

January 7-25: Hampshire College Staff Art Exhibition

C O M I N G   U P
February 4-28: "Portable Vision," a Black History Month Exhibition by Enrico Riley, Professor of Art, Dartmouth College.


Enrico Riley, "Alex:Dancer, There Was a Time," 2011, 63"x38", oil on canvas on panel

Pulp to Pixels: Artists Books in the Digital Age
November 5-16, 2012

Gretchen Henderson will deliver the keynote talk:
Thursday, November 8, 4 p.m. A reception will follow.

This exhibit explores how technology has affected all aspects of artists' books, from production to creation to access and use. Some of the works on display explore interactive generative art with text and image, some function as books in their own right but can be enhanced with technology, and others require a smart phone or tablet to view them at all. Artists will include Nick Montfort, Paul Zelevansky, Jie Qi, Colette Fu, Danielle Aubert, M. Kasper, Gretchen Henderson, and Amaranth Borsuk, among others.

This exhibit has been curated by Andrea Dezsö, Steven Daiber, and Meredith Broberg.

Pulp to Pixels: Artists Books in the Digital Age was made possible in part by a Mellon Digital Humanities grant from Five Colleges, Inc., and co-sponsored by the Hampshire College Board of Trustees. It is part of a larger event, "Non-Visible and Intangible: Artists Books Respond to E-Books."

Gallery hours: Monday-Friday, 10:30-4:30 and Sunday, 2-5
Contact: Carolyn Arnold, 413-559-5544
For more information, see: https://www.facebook.com/hamplibrary

Hampshire College is located on Route 116, four miles south of Amherst Center

For more information about "Pulp to Pixels:  Artists Books in the Digital Age" go to:  http://nonvisible.wordpress.com/

Danielle Aubert, 16 Months Worth of Drawing Exercises in Microsoft Excel /
Danielle Aubert; with essays by Oleg Aronson and Tan Lin.
[New York] : Various Projects, Inc., c2006.

2012 HAMPSHIRE COLLEGE FACULTY ART EXHIBITION

Featuring new work by:
Joan Braderman, Nat Cohen, Andrea Dezso, Jackie Hayden, Billie Mandle,
Gary Orlinsky, Sara Rafferty, Abraham Ravett, John Slepian, and Kane Stewart

October 7-29, 2012
Reception:  Friday, October 12, 2012, 5-7 p.m.
                   In conjunction with Hampshire Family and Friends Weekend

Gallery hours:  Monday-Friday, 10:30-4:30 and Sunday, 2-5
                   Special hours:  Saturday, October 13, 10:30-4:30

September 3-September 28, 2012
Gallery hours: M-F, 10:30-4:30 and Sunday, 2-5

DAVID WILSON holds an MFA in visual afrom the University of California, San
Diego, and is professor of art and head of the Graduate Studies in Art Program
at the University of Tennessee-Knoxville. He has exhibited all over the world,
including New York; Australia; New Zealand; Slovakia; Reykjavik, Iceland; and
Basel, Switzerland (Kunsthalle 2000). In addition to creating site-specific gallery
installations, Wilson is also a performance artist and a filmmaker who has won
international recognition (Dallas, Texas; Sydney, Australia; Florence, Italy;
Belgrade, Serbia).

For the installation at Hampshire, David Wilson will create a "drawing"installation with hose, paper and vinyl. These drawings and materials facilitate and explore the concept of extended drawing. Extended drawing is an approach that, once set in motion, can be carried out indefinitely. "I set parameters (formal, perceptual, psychological) that are distinct and clear. Then it is all open-ended improvisations and challenges that define and shape the work," says the artist.

Strong color is vital, says Wilson. "Color is a way to separate from context.
Bright, non-natural color is immediately out of place, an aberration,
extraordinary. It permeates the whole room, enters the senses, and gets on
your skin. You can taste it. It makes an impression that is hard to shake."

There will be a gallery talk on Wednesday, September 26 at 4 p.m. followed by a
closing reception from 5:00-6:30. For further information, contact Carolyn Arnold
(413-..5544 or carnold@hampshire.edu).

July 25-August 24, 2012
Gallery hours: Monday-Friday, 10:30 a.m.-4:30 p.m.

Including works by Leonard Baskin, George Grosz, Emilio Sanchez, Jack Youngerman, and others.

(Pictured: Untitled still life by Arnold Blanch; gift of Charles E. Merrill, Jr., 1975)