Cynthia Madansky | www.hampshire.edu

Visiting Associate Professor of Video and Film

Cynthia Madansky

film
Hampshire College Professor Cynthia Madansky
Cynthia Madansky
Visiting Associate Professor of Video and Film
Humanities, Arts, and Cultural Studies
Mail Code PF
Cynthia Madansky
Jerome Liebling Center 102
413.559.6262
Cynthia Madansky is an award-winning filmmaker and painter. Her films integrate hybrid forms of cinematic traditions, including autobiography, experimental methodologies, cinema verité, scripted narrative, and ethnographic observation as well as dance and performance. The work engages with cultural and political themes, such as identity, nationalism, the transgression of borders, displacement, nuclear arms and war, foregrounding the human experience, and personal testimony. Using 16 mm, super 8 and video, her films portray the consequences of politics on the daily lives of individuals, interrogating the concept of personal responsibility and national accountability.
Over a period of thirty years she has produced works that have been presented as single channel films and multi-screen installations and projections. Her films have screened at international museums, art spaces, and festivals, including the Museum of Modern Art, The Walker Art Museum, Istanbul Modern, the MAXXI, The Rotterdam Film Festival, The Berlin Film Festival, The Iran International Documentary Festival, The Jerusalem International Film Festival, The Margaret Mead Film Festival, Cinema du Réel, Oberhausen, Transmediale, Viennale, San Francisco International Film Festival, Homeworks Beirut, and many international Human Rights film festivals.
 
Her recent work includes: ḤARĀM, (16mm, 47 min., 2017), an essay film that interrogates the current political landscape at the Haram Al-Sharif/Noble Sanctuary, located in the Old City of Jerusalem; Grace + Gravity an experimental dance film based on the texts of Simone Weil; E42 (33 min, 16 mm, 2015) a visceral exploration of the EUR neighborhood in Rome, a modernist landscape that was originally designated by Mussolini as the the site of the World Fair of 1942 as a celebration of the 20 year anniversary of Fascism; Anna Pina Teresa (7 min, 16 mm, 2015) filmed in Mussolini’s former fencing studio, examines the contemporary and historical dynamics between an urban fascist space and movements of resistance; Viva Água (9 min, 16 mm, 2015) a meditation on the philosophical work written by the Brazilian writer Clarice Lispector;  1+8, (120 min, HD, 2012) made in collaboration with Angelika Brudniak, a film and eight screen installation filmed in border towns of Turkey with Greece, Bulgaria, Georgia, Armenia, Nakhchivan/Azerbaijan, Iran, Iraq and Syria, showcasing through intimate portraits and cinematographic tropes the political and cultural dynamics of life on those frontiers;  She is currently working on ESFIR, a film about Esfir Shub and her unrealised script entitled "Women," about the status of women after the Bolshevik Revolution.
 
Cynthia Madansky has been awarded numerous grants, fellowships, and residencies, including The John Simon Guggenheim Foundation Fellowship Award, (2017); CEC Arts Link Back Apartment Residency; The Wurlitzer Foundation (2017); The American Academy in Rome (2014-2015); Art Omi (2014); Art Matters (2011, 1990, 1989); NYSCA (2011, 2009, 2006, 1999, 1998); North Dakota Historical Society (2006); Santa Fe Art Institute (2006); Ucross (2000); NYFA (1997); Jerome Foundation (2004, 1997); and the Paul Robeson Fund (1994).
 

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