Visiting Assistant Professor of Art
Pakradooni has taught courses in studio art and art history at Virginia Commonwealth University Qatar, Tyler School of Art, Rhode Island School of Design, Fine Arts Work Center, and the University of South Carolina. Her work in drawing, printmaking, sculpture, and music has been shown and performed in various exhibitions internationally as well as supported through fellowships and residencies including The Wassaic Project, Women's Studio Workshop, AS220, and Kimmel Harding Nelson Center for the Arts.
This course is an introduction to drawing that will expand into more experimental and concept driven practices. In class drawing exercises will build a skill-set of drawing practices using traditional drawing media such as graphite and charcoal, working from observation in various techniques. The later part of the course will explore performance, conceptual, and using non-traditional media and will culminate in a self-directed project. Prerequisite: One studio art course.
Working in drawing, printmaking, digital media, bookmaking, sculpture, and design we will engage in the concept of the multiple in art production and theory. We will look at the multiples relationship to print media, design, politics and propaganda, DIY culture, and other subjects in relationship to the dispersion of ideas through images and objects. Throughout the course we will learn new studio skills in specific materials and methods that will culminate in a final self-directed project. Pre-Requisites: Two previous art courses - Instructor permission.
Drawing is a foundation of artmaking. The medium functions as a preliminary practice to flush out and illustrate ideas in painting or sculpture, but can also stand-alone. We will practice drawing as both, building on skills in traditional materials and making work that intersects with other artmaking processes including performance, sculpture and conceptual practices. This course will introduce traditional techniques in drawing while presenting opportunities to experiment and explore the expansive language of drawing.
This course will build upon students understanding and practice with the formal and material components of sculpture through exercises and assignments that consider object and space. Using various mediums and methods, students will consider the position of sculpture in the 21st century and our relationship to the physical world. Assignments will be in response to readings and presentations of contemporary and historical work. The course is designed to create a new context for your work and build on material language, dismantling and rebuilding what we think of as the object and its presentation in space. This course will have assignments that provide a way to further develop your artistic voice, without sacrificing a sense of experimentation.