Associate Professor of Critical Race, Gender, and Media Studies
She teaches cultural studies, critical race theory, film and media studies, popular music, feminist theory, and ethnic studies. Her research interests include the social construction of race and sex in speculative media; power, privilege, and cultural appropriation; gender and ethnic performativity in digital spaces; the politics of sampling and remixing; colonial cosplay in steampunk; the activist potential of social media; and the post-racial turn in popular culture.
Professor Loza’s publications include “Imperial Fictions: Doctor Who, Post-Racial Slavery, and Other Liberal Humanist Fantasies,” “Steampunk Style and the After-Life of Empire,” “Hashtag Feminism, #SolidarityIsForWhiteWomen, and the Other #FemFuture,” “Playing Alien in Post-Racial Times,” “Samples of the Past: Performative Nostalgia, Illicit Sounds, and Cultural Transformation in Latin House Music,” “Sampling (Hetero)sexuality: Diva-ness and Discipline in Electronic Dance Music,” “Vampires, Queers, and Other Monsters: Against the Homonormativity of True Blood,” and “Orientalism and Film Noir: Subjective Sins and Othered Desires.” Her current project, Speculative Imperialisms: Monstrosity and Masquerade in Post-Racial Times (Lexington Books, 2017), explores the resurgence of racial masquerade in science fiction, horror, and fantasy and contemplates the fundamental, albeit changing, role that ethnic simulation plays in American and British cultures in a putatively post-racial and post-colonial era.
Although early internet theorists imagined the World Wide Web as a wild frontier where only minds mattered, social media testifies to the lasting force of bodily inscriptions like race, gender, sexuality, dis/ability, and class. In this course, we will consider how identity shapes how we communicate, debate, collaborate, and mobilize online. We will investigate how different populations engage with digital technologies and social media in particular; how such environments expedite stereotypes and construct difference; and how online platforms like YouTube, Twitter, and Facebook are tools of social justice as well as replicators of reactionary ideologies. Our critical arsenal will draw upon Media Studies, Gender & Sexuality Studies, Cultural Studies, and Ethnic Studies. We will apply these theories to current events online. Throughout our examination of the politics of hashtags, memes, and trolls, we will foreground the ways that power relations continue to inform how bodies travel through the digital realm.
Since its founding, the US has closely regulated the bodies of Others and punished those that rebel against these socially-constructed designations. Utilizing an interdisciplinary amalgam of Critical Race Theory, Sexuality Studies, Queer Theory, Media Studies, Sociology, American Studies, Performance Studies, and Feminist Theory, this course will explore how the state, the media, and civilian institutions police the boundaries of race, gender, and sexuality by pathologizing, criminalizing, and stigmatizing difference. We will also examine how the subjects burdened with these dangerous inscriptions evade and contest them through passing, performativity, and other forms of identity-based resistance. Special attention will be paid to the criminalization of cross-racial and same sex desire; the re-biologization of racial and sexual difference; the dehumanization of immigrants; the racialization of crime; the gendering of mental disorder; the rise of homonormativity; genetic surveillance; the biopolitics of reproduction; and the role of The Law in constructing and controlling deviant bodies.
This course examines questions of race, gender/sexuality, and disability in science fiction and horror films. It investigates how and why people in different social positions have been constructed as foreign, freakish, or monstrous. In addition to exploring the relationship between sex/gender norms and hierarchies based on race/species or class/caste, we will also consider the following questions: Does the figure of the alien/freak/monster reconfigure the relationship between bodies, technology, and the division of labor? How do such figures simultaneously buttress and transgress the boundary between human and non-human, normal and abnormal, Self and Other? How does society use the grotesque body of the alien/freak/monster to police the liminal limits of sexuality, gender, and ethnicity? How does The Other come to embody Pure Evil? Finally, what are the consequences of living as an alien/freak/monster for specific groups and individuals? This course is reading-, writing-, and theory-intensive.