Professor Emerita of Theatre
Her special areas of interest are playwriting and gender issues in theatre history and theatre practice. She is the co-editor of Upstaging Big Daddy: Directing Theatre as if Race and Gender Matter (1993), and the author of Getting Into the Act: Women Playwrights in London, 1776-1829 (1995). She co-edited Women and Playwriting in Nineteenth Century Britain (1999).
She currently chairs the Barnard Hewitt Award for Excellence in Theatre Research for the American Society of Theatre Research.