Lailye Weidman

In this course, students will enter dance and dance making as vehicles for embodied research and interdisciplinary dialogue. Over the course of the semester, we will make dances that move alongside and beyond other disciplines-developing choreography and movement practices while studying narrative and poetic forms, learning from visual artists and musicians, exploring intersections with architecture and environmental studies. Visits with guest artists, scholars, and students in other courses will help us launch these inquiries. Throughout the semester, we will reflect on what dance can offer back to other fields and the particular power of movement as "a way of knowing." The creation of choreography is an integral aspect of this course, yet rather than privilege only the final product, we will invest in dancing as a medium for research, discovery, and collaboration. This course is open to anyone who wants to jump into embodied learning and making Keywords:Dance, choreography, research, movement, art

n Queer Dance: Meanings and Makings, Clare Croft proposes queer dance as a space of radical difference, where multiple identities, subjectivities, and politics collide, propelling artists and audiences into world-making action. This course will begin with Croft's text and expand into other creative and scholarly frameworks for considering the power and potential of queer + dance. Rather than treating "queer" as a monolith, we will examine queer dance through various and intersectional lenses, centering queer artists of color, disabled artists, trans and gender non-conforming artists, and others who resist dominant cultural narratives through dance. In addition to readings, we will engage with dance performances both live and on video. And, we will dance, move, and create choreography in dialogue with class materials and our group conversations. This course emphasizes the relationship between theory and practice as a key place for creating one's own queer methodologies. All levels of experience and identities welcome. Keywords:Queer, dance, theory, choreography, trans The content of this course deals with issues of race and power.

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This beginning-level course invites students to develop movement, making, and performance practices as vehicles for thinking about and supporting new beginnings. The course will function as dance class, rehearsal, and research seminar where we will examine assumptions about whose bodies are afforded the opportunity to be expressive, and learn to trust what our bodies already know. We will also work to expand our capacities for embodied play, experimentation, meaning-making, physical and intellectual rigor, and employ a range of creative modalities (including use of the written word, video and digital media) to contextualize and process embodied experience. Our work will be bolstered by the study of theoretical underpinnings of contemporary dance, art-making and performance practices. We will share our work in a collaborative all-day performance event at the midterm, with a possible informal showing at the end of the semester. No previous dance experience is necessary. KEYWORDS:Dance, theatre, performance, movement, art

In this course, students engage in an in-depth rehearsal process toward a final performance that will be performed in the Five College Dance Concert hosted by UMass in the first week of December. The proposed investigation centers bodily negotiation of proximity, connection, contact, and vulnerability during this time of the lingering-pandemic. Together we ask: How has the risk of contagion registered in our bodies, shaped our movement, brought us together and pushed us apart? Can we return to togetherness without embracing denial and amnesia? How might we honor the power of our shared breath? Rehearsals will involve collaboration, movement creation, improvisation, writing, and dialogue. A few shared readings and viewings will accompany our physical investigations. Some contact improvisation and partnering principles will be engaged in our shared work, Prior study of any dance practice at the intermediate or advanced level suggested. Students must be invested in the process of creating live performance. Instructor permission/Audition required. KEYWORDS:Dance, repertory, performance, choreography, improvisation

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This course is designed for beginning and intermediate level dancers. The studio will be our laboratory for a semester-long exploration of contemporary dance concepts with a focus on opening sensation, clarifying points of initiation in the body, expansive use of space, and dynamic phrase-work. In motion, we will activate connection between periphery and center, time and weight, gravity and support-giving continued attention to alignment, spatial clarity, breath, range of motion, and the development of strength and stamina. In this course, a sampling of somatic techniques and knowledges will be introduced as a complement to dance technique. These somatic practices offer inroads to experiencing presence & sensation, examining one's habits and patterns, and expanding one's approach to the body. You will also be asked to reflect on the histories and knowledge you bring into class, articulate learning ambitions, and track new developments. The goal of this course is to support a sustainable and deeply engaged movement practice-one that may inform the development of a lifetime of embodied creative process. Keywords:Dance, somatics, technique, movement, body

n her book, Queer Dance: Meanings and Makings, Clare Croft proposes queer dance as a space of radical difference, where multiple identities, subjectivities, and politics collide, propelling artists and audiences into world-making action. This course will begin with Croft's text and expand into other creative and scholarly frameworks for considering the power and potential of queer dance. Rather than treating "queer" as a monolith, we will examine queer dance through various and intersectional lenses, centering queer artists of color, disabled artists, and trans and gender non-conforming artists as those who have defined and moved forward notions of queerness through dance. In addition to readings, we will engage with dance performances both live and on video. And, we will dance, move, and create choreography in dialogue with class materials and our group conversations. This course emphasizes the relationship between theory and practice as a key place for creating one's own queer methodologies. All levels of experience and identities welcome. Keywords:Queer, Dance, Choreography, Performance, LGBTQIA+ HAC

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Building on foundational principles of dance composition, students in this course will be invited to apply those principles to collaborative group choreographic processes. The studio will be our laboratory as we individually and collectively examine kinesthetic and aesthetic impulse, and the ways group process reconciles, expands, and challenges those. Employing design and chance methods, we will attend to the negotiations engendered by relations between makers, performers, audiences, communities, identities, and place as well as the inherent societal implications of making art of, for, and by the expressive body in space and time. Together, members of the class will work to support one another in developing a nurturing space for curious investigation, boundary expanding rigor, generous feedback, and playful discovery. Choreographic works that emerge from this semester-long process will be shared informally at the end of the semester and may be included in Hampshire's Winter Dance Concert (S23). Keywords: performance, art-making, embodiment, movement, choreography.