Associate Professor of Sociology and American Studies
His research centers on the politics and poetics of cultural production. Valentín-Escobar's early research documented the process and cultural significance of musical production within the Puerto Rican and Nuyorican diasporic community. This research highlighted how salsa and Latin jazz are inter-musical, transnational processes that embody popular memory, resistance struggles, and diasporic transracial alliances. His current work focuses on the critical role that community arts centers have in fostering how U.S.-based Latino/a avant-garde artists engage in artistic collective practices for decolonial emancipation through public performances and alternative art spaces.
A Brooklyn New York-native, Valentín-Escobar is currently completing the book Bodega Surrealism: The Emergence of Latin@ Artivists in New York City (New York University Press, forthcoming). The manuscript, which derives from his award-winning dissertation, examines the cultural activism, or "artivism," of two community-based art communities and projects that originated in the 1970s within the Lower East Side neighborhood of New York City: the New Rican Village Cultural Arts Center and El Puerto Rican Embassy. Based on the premise that culture has the potential to create anti-hegemonic, emancipatory social change for a generation of working-class Puerto Rican and Latina/o artists, members of both art centers responded to the social and political alienation they and their accompanying communities experienced. By examining cultural performances, art installations, and arts programming, Valentín-Escobar demonstrates how these artists embarked upon aesthetic, social, spatial, and political interventions.
During the 2011-2012 academic year, Professor Valentín-Escobar was a Postdoctoral Associate in the Program in Ethnicity, Race, and Migration at Yale University. The Andrew W. Mellon Fellowship, the Fred C. Andersen Fellowship at Carleton College, the Rackham Merit Fellowship at the University of Michigan, and the George Washington Henderson Fellowship at the University of Vermont have funded his scholarship. His research and writings have appeared in important scholarly, peer-reviewed anthologies and academic journals.
In May 2012, Valentín received the Best Dissertation Prize from the Latina/o Studies section of the Latin American Studies Association (LASA).
In moments of political and economic crises, activist-artists - or artivists -- consistently and creatively responded to the call for social change. They generate art as social action and also help realize a new social world into being through art. They've often been on the frontlines, creating art as social action. Drawing from disciplinary and interdisciplinary perspectives, this seminar investigates the "who, what, where, when, why and how" of creative artistic resistance. We will discuss the inter-relationships between: art, activism, and the social imagination; the tensions between the "real" and the "imaginary"; public art and community engagement; the role of art in social movements; the function and responsibility of artistic institutions (museums, community art centers, etc.); the relationship between art, gentrification, and creative economies in under-resourced communities; how are can build new or alternative public sphere(s); analyze political art vs. activist art; understand community-based art vs. art-based community making; and examine the impact of artistic expressions and movement in transforming collective mentalities or consciousness. While a close analysis of various artistic texts and practices may occur, the course largely centers on the multi-dimensional social, ideological, and political processes that constitute socially engaged art as a collective participatory practice that helps to realize emancipation and transformation.
In 2014 there were over 55.3 million Latin@s/Latinos residing within the United States, accounting for the largest "minority majority" and comprising 17.3% of the total population. This rise in numbers is largely caused by economic, political and other social policies, prompting Latin@s to reside into new regions, cities, and towns that were once hostile to them, accounting for new demographic shifts and thus, Remapping las Americas. In the process, Latin@s have undeniably emerged as a significant political, cultural, economic and social force. Utilizing an interdisciplinary, Critical Ethnic Studies and transnational framework, this course is designed as an introductory foray to studying Latin@/Latinx communities in the United States, focusing on their historical, social, political, cultural and economic formations and practices. Some issues and topics to be discussed include: the history of Latin@/Latinx Studies, inter-Latin@ and transnational formations, Latin@/Latinx identities and their attendant discourses; social and cultural movements; labor policies and (im)migrant labor migration; Current "Juan Crow" and past xenophobic policies and practices against Latin@/Latinx communities; and the forms of resistance employed by Latin@s against historical and current-day imperial projects and ethnically/racially intolerant policies.
In a Hampshire College walkout in support of the people of Puerto Rico, the acclaimed poet, Martin Espada, declared that "Colonialism is a Hurricane." A colony of the United States since 1898, the devastating impact of Hurricane Maria exposed the longstanding colonial relationship between the United States and Puerto Rico. The purpose of this class is to learn about the legal, cultural and political history of Puerto Rico, the U.S. Puerto Rican Diaspora, and the various social movements and perspectives that have sprung-up as a result of the continuing coloniality, on and off the island.
2017 marks 100 years of US colonialism in Puerto Rico. As one of the remaining colonies that has both attracted national attention but also been relegated to the periphery, the purpose of this Community-Based Learning course is to foreground this important history and explore and strategize structural and grass-roots responses to colonialism in both Puerto Rico and US Diaspora communities. Collaboration, listening, and rigorous research are the hallmark of developing shared approaches to the social, cultural, and economic impacts colonialism has within Puerto Rican communities. As a transnational community that resides across national borders and across multiple US States, we will discuss how local communities within these various locations can proactively and creatively respond to the "coloniality of power." In this course, we seriously consider Hampshire's motto: "To Know is not Enough." Action infused with rigorous research sparks knowledge for social change. Alternating between holding class on the Hampshire College campus and within a community setting in the city of Holyoke, with transportation provided by the College, we will discuss what is "community" and "engagement," what is "colonialism" and its multiple manifestations, and then explore how to resist and respond to it by undertaking direct action, and community building. As a group we will engage in both community dialogue and rigorous research to facilitate partnerships with local organizations and/or community-based learners and activists. This course will be demanding, exciting, and hopefully, life changing. Prerequisites: A prior course in or related to: U.S. Ethnic Studies, Africana Studies, Latin American Studies, Sociology, Anthropology, Community-Based Learning, and/or Educational Studies. If you have not completed courses in any of these areas, but have a nuanced perspective of the communities and issues in Holyoke and/or Springfield, you are welcome to register into the class. A lack of knowledge in these areas may result in a compulsory course withdrawal. --
The purpose of this course is to gain an interdisciplinary understanding of the field of U.S. Ethnic studies, understand some of the historical perspectives that inform it's intellectual formation, and gain an appreciation of some ongoing central concepts and processes, such as settler colonialism, imperialism, slavery, genocide, technologies of empire, racial classification systems, labor importation, gender exploitation, and white privilege, among others. We will also investigate past and recent movements and organizations that sought challenge state authority and local and federal laws, such as the Civil Rights Movement, the Black Panther Party, the Young Lords Party, Black Lives Matter, and the Dakota Access Pipeline Protest, among others.
The field of U.S. Ethnic studies underscores how the Unites States was founded upon intersectional systems of injustice. From its inauguration, Ethnic Studies sought to disrupt the fundamental principles that inform higher education. The purpose of this course is to gain an interdisciplinary and intersectional understanding of the field of Ethnic studies, comprehend some of the historical perspectives that inform it's intellectual formation, and generate a more complicated frame of reference of some ongoing central concepts and processes, like settler colonialism, imperialism, slavery, genocide, racial and sexual classification systems, systemic racism, police brutality, labor importation, gender exploitation and inequality, the prison industrial complex, redlining, and white privilege, among others. We will investigate how Ethnic Studies, as both a field of inquiry and a social movement, is entwined with past and current racial and social justice movements and activism, such as Black Lives Matter, the Dakota Access Pipe Line protest, etc.
In moments of political and economic crises, activist-artists -- or artivists -- consistently and creatively respond to the call for social change. They generate art as social action and also realize a new social world into being through art. Drawing from interdisciplinary perspectives, this seminar investigates the "who, what, where, when, why and how" of creative artistic resistance. We will discuss the interrelationships between: art, activism, and the social imagination; the tensions between the "real" and the "imaginary"; public art and community engagement; the role of art in social movements; the function and responsibility of artistic institutions (museums, community art centers, etc.); the relationship between art, gentrification, and creative economies in under-resourced communities; how art can build new or alternative public sphere(s); analyze political art vs. activist art; understand community based art vs. art-based community making; and examine the impact of artistic expressions and movements in transforming collective mentalities or consciousness.